By Gary M. Kramer The year in queer film 2016 had both notable achievements—Barry Jenkins’ Moonlight, about three stages in the life of an African American man, chief among them—and…
By Sister Dana Van Iquity Sister Dana sez, “The holidays are here! I will not be enlisting in the Christian Far Right’s fight against the ‘War on Christmas,’ and will feel free…
Feinstein’s at the Nikko has announced Feinstein’s Presents, a new series showcasing world-class performers at larger venues throughout the Bay Area. Kicking off the series, Feinstein’s at the Nikko will…
By Gary Krammer Closet Monster, opening December 2 in San Francisco, is a fantastic—as in great, as in surreal—Canadian film about Oscar (Connor Jessup), a confused teenager who confides his…
By Sister Dana Van Iquity Sister Dana sez, “I am still stuffed from the feast I had with friends on ThanksGAYing—a term I have coined because I am thankful that I’m gay. And then a…
In writer/director Tim Kirkman’s poignant, romantic drama Lazy Eye, recently released on DVD, Dean (Lucas Near-Verbrugghe) is a Los Angeles-based graphic designer with the titular ocular problem. One day, out…
f light. I thought and thought about that and looked deep inside for words to inspire and enlighten. Humor would be good if I could find some. I thought, “I’ll…
By Sister Dana Van Iquity Sister Dana sez, “I know I threatened to move to Canada if the election didn’t turn out my way, but it turns out Thanksgiving is here, and…
Anna Biller wrote, directed, edited, produced, art directed, designed the sets and costumes and even composed the music for The Love Witch, opening November 11 at the San Francisco Landmark…
By Sister Van Iquity Sister Dana sez, “As we went to press before the election results were announced, Sister Dana is now either popping champagne corks for the glorious victory…
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